sign up for periodic news and updates

I'm not a robot

Supporting the Arts Since 1954

The Helene Wurlitzer Foundation of New Mexico (HWF) is a private, 501(c)(3) non-profit, educational and charitable organization committed to supporting the arts.

Founded in 1954, the HWF manages one of the oldest artist residency programs in the USA. The Foundation’s mission is to “Support the artist and the creative process” and serves as a haven for visual artists, literary artists and music composers.

The Helene Wurlitzer Foundation is located on fifteen acres in the heart of Taos, New Mexico, a multicultural community renowned for its popularity with artists.

 

The Next Chapter: Building the Future of HWF

Big changes are underway at HWF! In 2026, we’re taking a bold pause in our residency program to renovate and reimagine our beloved campus. This exciting transformation is already in motion. Thanks to a generous donor, every roof on campus is being replaced! Now, we’re reaching out to our extended HWF family to join us in this once-in-a-generation effort to renew, sustain, and expand the creative sanctuary that has inspired artists since 1954.


Why Now?

For decades, we've done what we could to maintain the artist casitas on our campus in the narrow windows between residency sessions. For the past several decades, our casitas have been occupied by artists participating in Helene's visionary artist residency program. With three 3-month sessions each year, there’s only about a month between for upkeep, making major renovations nearly impossible.

To truly preserve and renew this historic campus for the long term, we need time and space. By pausing residencies in 2026, we’re finally creating the opportunity to do the deep work our facilities need, without disrupting the artists we serve.

Several casitas need new, energy-efficient windows
This may be the original 100-year-old window 🤣
Behind the greenery, the stucco’s crying for help
Every historic adobe building needs a stucco makeover
That can't be good ⚡
Outlets are still old, ungrounded two-prong plugs 😬
The top coat isn't looking so hot
We patch between sessions, but it’s time for the real fix 🔨
Help the beam placed over the spiral column in 1942
Charming single-pane windows… that barely close 🙃
Some smaller issues only show up when you get close
Stucco fixes should go hand-in-hand with sill repairs
UV-protective glass has become cloudy over the years
This chair has seen better days. Casitas need new furniture

While we have the roofs covered (pun intended!), we still need your help with other big-ticket improvements: stucco, windows, and interior renovations, to name a few. This is a rare opportunity to modernize and enhance our campus while the spaces are available, and we’d love for you to be part of it.


Our Goals, Our Vision

The Helene Wurlitzer Foundation has always been a place of quiet transformation. A sanctuary where artists reflect, explore, and create. As we pause residencies in 2026 to focus on campus renovations, we’re also setting our sights on the future.

Looking ahead, Executive Director Nic Knight envisions a bold, three-tiered plan that starts with a vital renewal of the campus and sustaining the Foundation’s legacy of supporting artists, and progresses into two expansion phases.

Level 1 – Renew & Sustain ($10M Goal)

Renovate and upgrade the existing infrastructure on our historic campus — including new roofs (already generously funded), stucco repair, energy-efficient windows, updated plumbing and electrical, interior renovations, and new appliances where needed. Achieving this goal will allow HWF to hire much-needed staff to support our mission efficiently and to replenish our endowment, ensuring the organization remains stable, resilient, and artist-focused for generations to come.

Level 2 – Expand Artist Opportunities ($20M Vision)

Develop additional facilities on the Foundation’s southern acreage — including indoor and outdoor performance venues, exhibition spaces, a sculpture garden, and specialized artist facilities for ceramics, printmaking, and photography. Achieving this vision would allow HWF to provide resident artists with travel and living stipends. Additionally, realizing this expansion will enable us to bring several of our historic casitas into full ADA compliance, ensuring accessibility for artists and visitors of all abilities while preserving the architectural charm and legacy of these adobe structures. Renderings coming soon!

Level 3 – Invest in the Next Generation ($30M Dream)

Create educational and workshop spaces that serve the broader Taos community, with a focus on creative programming for local youth and emerging artists. This vision reflects HWF's deep belief in the power of creative practice — and Nic's commitment to ensuring that the Helene Wurlitzer Foundation continues to inspire artists for generations to come.


How To Get Involved

Visit the Foundation

If you want to learn more, we welcome you to schedule a personal tour of our historic campus. Explore the campus to experience the serenity of the casitas, but also to see the help they’re quietly waiting on. Tour the property and discover where Nic envisions the facilities expansion.

If you’re considering a major gift or curious about how you might contribute — whether through a gift, a trade, hands-on effort, or even sharing this opportunity with fellow supporters of the arts — I’d love to speak with you personally. Let’s schedule a tour of the campus where you can learn about the Foundation’s history and vision for the future, see the impact of HWF on the lives of artists, and witness firsthand its vital role in maintaining Taos as a thriving arts community.

To start a conversation, email Nic:
admin@wurlitzerfoundation.org


Ways To Give

Support the Campaign Now

You will receive a charitable tax deduction that will provide you with savings on this year's tax return.

Legacy & Estate Giving

For the past decade, estate gifts have sustained the Foundation's mission, quietly and powerfully. Maybe you're not in the position to give now, but have something you can pledge that will make a significant impact in the future. If HWF has touched your life or the life of someone you love, consider including us in your estate planning. Planned giving helps us build a healthy endowment that will support future generations of artists.

Investments & Crypto

Donating appreciated securities, including stocks, bonds, and crypto, is an easy and tax-effective way for you to make a gift to HWF.

Naming Opportunities

Donors making gifts of $500k or more may be recognized through the dedication of a casita — one of our cherished artist studio-homes — or a new space built as part of the future expansion. It’s a unique opportunity to leave a lasting imprint on a place that fosters beauty, reflection, and creative growth.


Support Beyond Dollars

We’re grateful for the many ways our community shows up for HWF. If you're excited about the future but not in a position to give financially, there are still plenty of ways to make a meaningful impact.

Sponsorship Opportunities

We invite local and national businesses to become project sponsors by contributing materials, services, or professional support. Recognition options include:

  • Listing on HWF's website as a Sponsor
  • Listing on donor signage around campus
  • Social media and newsletter features
  • Special acknowledgements at events or exhibitions

If your business is aligned with creativity, sustainability, or cultural preservation, let's collaborate.


Volunteer Opportunities

We’re building a volunteer corps to assist with campus revitalization. Volunteer roles may include:

  • Campus cleanup and landscaping
  • Painting and light maintenance work
  • Help with fundraising, and event planning & support
  • Assisting with social media, alumni news & outreach

If you’d like to roll up your sleeves and help out, we’d love to hear from you. Inquire Here


In-Kind Donations

We're seeking in-kind gifts that directly support our renovations and artist experience. You or your business can help by donating items such as:

  • Tools, materials, or furnishings that can support artist living and working spaces
  • New twin-sized beds and mattresses
  • New or gently used bicycles (we provide bikes for artists in residence)
  • New or like-new household appliances
  • Ergonomic or modern office chairs
  • Art and/or other valuables to be used for fundraising auctions

If you're a supplier or contractor, we welcome donated or discounted building materials and labor for things like stucco, windows, plumbing, or electrical upgrades.


Let’s Talk!

If you’re curious about how you might contribute — whether through a gift, a trade, hands-on effort, or even sharing this opportunity with fellow supporters of the arts — I’d love to speak with you personally. Let’s schedule a tour of the campus where you can learn about the Foundation’s vision and history, see the impact of HWF on the lives of artists, and witness firsthand its vital role in maintaining Taos as a thriving arts community.

NicKnight
- Nic Knight, Executive Director

 

Alumni News

Kim Merrill
writer
February 5, 2026

Book publication Jan 2026

RED GIRL JUMPING, an experimental memoir about traumatic amnesia written from the point of view of memory itself (and from inside a Wurlitzer casita) won the 2024 Kenneth Patchen Award for the Innovative Novel from JEF Press and is available from JEF press or Amazon Books.
Carolyn Gage
playwright
January 8, 2026

Coming to a Theatre in Taos

In McClintock’s Corn, written by Carolyn Gage and directed by Helen Rynaski, tells the compelling story of Barbara McClintock. How does a brilliant geneticist, ostracized for being female and labeled “sexually deviant,” persevere and ultimately win a Nobel Prize?

Wildflower Playhouse (Taos, NM)
Jan. 22, 23, 24, 29, 30, 31 @ 7PM.
Jan. 25 and Feb. 1 @ 2PM
Gustavo Alonso López
music composition
January 6, 2026

New album available for Pre-Order

Flamenco guitarist and composer Gustavo Alonso López is set to release his third full-length studio album, Sonanta Con Metales, in April of 2026. Pre-Orders are available now. Created in collaboration with trumpeter Jay Roulston, this new project presents the Flamenco guitar in the context of a brass ensemble. Drawing on an array of influences ranging from Flamenco to Jazz, film music, and Minimalism, López’s latest received special support from Artist Trust, the Helene Wurlitzer Foundation, and the Ucross Foundation. Click the links below to learn more:
Paul Ré
painter
November 20, 2025

2026 Paul Bartlett Ré Peace Prize

The biannual Paul Bartlett Ré Peace Prize has opened its 2026 nomination cycle. Artist and author Paul Bartlett Ré is recognized internationally for promoting world peace and harmony through his creative work. For five decades, the Albuquerque resident has demonstrated how serene and uplifting art can serve as a model for living and inspire individuals to cultivate inner depth and express it outwardly through meaningful action.

In this spirit, the Peace Prize is awarded to a University of New Mexico faculty or staff member, student, alumnus, volunteer or retiree who has best promoted peace, harmony and understanding among people of the world—both internally and through tangible contributions. These efforts may occur at the local, regional, national or global level. The prize emphasizes the pursuit of internal and external peace and encourages thoughtful discussion of what peace truly entails.

The recipient may be an artist but may also come from any field, provided they have pursued peace and harmony with creativity and dedication. Potential projects may involve environmental work, social or individual healing, integrative medicine, sustainable energy or green architectural design, art creation or preservation, family planning or population initiatives, or any positive endeavor. The prize includes Conflict Resolution, with a strong emphasis on Conflict Prevention.

The award consists of a cash prize to help the recipient carry forward their work, commemorative artwork by Paul Ré and specially inscribed copies of Ré’s acclaimed books The Dance of the Pencil and Art, Peace, and Transcendence. His most recent volume, Art, Peace, and Transcendence: Réograms that Elevate and Unite, received the New Mexico–Arizona Book Award for Philosophy and is available through UNM Press.

Nominations must be submitted electronically and received no later than 5 p.m. Friday, Feb. 20, 2026, for consideration for the May 21, 2026 award.

For nomination forms and additional information about the prize, visit paulre.org/peace.


To view Paul Ré’s work, explore
The Dance of the Pencil and Art, Peace, and Transcendence: Réograms that Elevate and Unite
Mary Gilliland
poet
November 18, 2025

New Poetry: Red Tide at Sandy Bend

Mary Gilliland’s new poetry book from The Bodily Press (Amherst MA) is Red Tide at Sandy Bend.
Barnacles sparkle, puffins glint, human practices result in fish-strewn beaches. Like blue-green algae on lakes and ponds, red tide is a naturally occurring phenomenon. Nourished by human waste and warming waters, cyanobacteria multiply in harmful algal blooms (HABs) that release neurotoxins. In a whirl of games, addictions, concussions, swimming bans, Red Tide at Sandy Bend posits a world of creaturely interdependence visceral and intimate.
One reader says "It is beautiful, haunting, all of a piece. The scientific truths, facts, words—many unknown perhaps to many of us readers—add a melancholy note often but they do not overwhelm. There is revelation and dream and perspectives, softness of the human soul as well as the natural world.
This new book can be ordered from the publisher or at select independent bookstores. To inquire about signed copies, contact me directly at mg24@cornell.edu or through my website.
Samyak Shertok
poet
October 10, 2025

Just Released: No Rhododendron

My debut collection, No Rhododendron (University of Pittsburgh Press, 2025), winner of the 2024 AWP Donald Hall Prize, was released on October 7th.
Part elegy, part poetry of witness, and part poetry of exile, No Rhododendron is a lament for the poet-speaker’s father and fatherland and a grief-wrought love letter to his mother and mother tongue. The collection is haunted by the existential question about the poet-speaker’s oral mother tongue, Tamang: how do you write about a language that has no script? Exploring the erasure, arbitrariness, ambiguity, multiplicity, violence, and illegibility embodied by “X,” the book hovers on the lip of a new ghost language, which ultimately fails itself. The polyphonal witnessing of the decade-long Maoist conflict in his native Nepal from school children’s perspective reveals how a war can permanently scar the psyche of an entire generation. The final thread of the book, a “reverse-elegy” for his mother, meditates on the impending loss of a loved one as a potential site of mourning, impermanence, gratitude, memory-making, and mythopoeticism.

Additional Recognitions for the Book:
Finalist, National Poetry Series Open Competition 2021, 2024
Finalist, Agnes Lynch Starrett Poetry Prize 2022
Finalist, Alice James Award 2024
Finalist, Jake Adam York Prize 2021, 2023
Finalist, Omnidawn 1st/2nd Book Poetry Contest 2023
Finalist, Michael Waters Poetry Prize 2024 (withdrawn)
Finalist, Stan and Tom Wick Poetry Prize 2024 (withdrawn)
Finalist, Four Way Books Levis Prize in Poetry 2024 (withdrawn)
Honorable Mention, Vanderbilt University Literary Prize 2024


Matt Bennett
playwright
October 7, 2025

World Premier of Just Add Water

Shows are selling out for the world premier of "Just Add Water"! Written by Matthew Ivan Bennett and Elaine Jarvik, "Just Add Water" explores the Great Salt Lake's essence through a whimsical cli-fi dramedy. Directed by Penelope Caywood, it combines humor and ecological grief, highlighting kinship with nature and prompting audience reflection on environmental stewardship amidst haunting performances and engaging theatricality.
Follow the link below to read the full review by Rhetorical Review.
John Repp
poet
October 7, 2025

Pre-order My New Book of Poems

I’m thrilled to announce that my new book of poems, Never Far from the Egg Harbor Ice House, is available for pre-order at a 20% discount from Sheila-Na-Gig Editions (link below). Once the book appears in early December, it'll be for sale at Bookshop.com and other online booksellers, and as an Ebook from Sheila-Na-Gig. I’ll also offer signed copies via my website.
I hope you’ll consider not just ordering a copy, but also spreading the news in whatever ways you think best, whether to potentially interested readers, reading series coordinators, teachers, acquisitions librarians, or local bookstores. Either in-person or remotely, I’d welcome the chance to give readings or interviews, visit classes or community workshops, do book signings, or give talks about poetry, fiction, or digital collage.
Thanks in advance for your interest and support.
Best,
John Repp
David McDonald
sculptor
October 3, 2025

To Wander is not to be Lost

I will be opening a show @5.gallery in Santa Fe on Saturday October 11. The opening will be from noon to 5, so if you’re in the area please stop by.
Fiona Sze-Lorrain
writer
September 29, 2025

My Book of Translations of Chinese Poet Zhang Zao

My new book of translations of contemporary Chinese poet Zhang Zao (1962–2010) has just been published by Zephyr Press:
Mirror: Selected Poems by Zhang Zao, Translated by Fiona Sze-Lorrain. A bilingual edition with my introduction and an afterword by Bei Dao. Link below.
This marks the concluding volume (and my fourth) in the Jintian Series of Contemporary Chinese Poetry.
Claire Whitehurst
painter
September 11, 2025

Unspoken Language of Colors

We are thrilled to announce that HWF alum Claire Downes Whitehurst is currently showcasing her work in the group exhibition, Unspoken Language of Colors, at Pentimenti Gallery in Philadelphia. This exhibition, running from September 12 to November 1, 2025, delves into the emotional and symbolic resonance of color through the eyes of contemporary artists.
Claire's contributions to the exhibition include several porcelain works—Prismatic Rain, Anne's Caladiums, Swamp Mallow, Sudden Blue, and Morning Sickness—several of which were created during her HWF residency. These pieces exemplify her unique approach to color and form, inviting viewers to experience the nuanced language of hues and textures.
The exhibition opens with a reception and artists' dialogue on Friday, September 12, from 6 to 8 PM, with the dialogue from 6 to 6:30 PM. Pentimenti Gallery is located at 145 N 2nd St, Philadelphia, PA.
Jerome Kitzke
contemporary
August 27, 2025

The World Premiere

Alumni composer Jerome Kitzke completed this work during his residency at HWF last fall. This October, it will be presented in New York City.
The World Premiere of I Wonder If This Ground Has Anything to Say (A Treaty Illumination)
Music and Libretto by Jerome Kitzke
Commissioned and performed by thingNY, Presented by Tribeca New Music, thingNY, and the Kaufman Music Center
📍 Merkin Hall, 129 W. 67th St., New York City
🗓 Thursday, October 16, 2025 · 7:30 p.m.
Alba Suau
painter
August 5, 2025

Plaza Blanca at Palau de Casvells

We’re proud to share Plaza Blanca, a new solo exhibition by Alba Suau, on view at Palau de Casavells (Spain) through August 31.
Rooted in meditative walks through the high desert of northern New Mexico, Suau’s recent works are subtle, atmospheric studies in memory, perception, and place. Her layered canvases—created with oil, acrylic, pastel, and casein—capture the quiet rhythms, mineral hues, and sculptural formations of this evocative landscape.
These paintings do not simply depict terrain, they evoke it as lived, remembered, and transformed experience.
Paul Ré
painter
July 25, 2025

ALBUM RELEASE Paul Ré

In 1984, Paul Ré created Compositions for Classical Guitar, a 45-minute recording that blends his original music with an introduction to his traveling exhibit Touchable Art for the Blind and Sighted, which reached over 100,000 people across North America. Praised by editor Sue Tullos in The Log of the Bridgetender for its mood and precision, the recording features three evocative pieces—Waves, Yearning, and Rising Currents—influenced by classical jazz, Flamenco, Native American chants, and Eastern rhythms. Now digitally remastered in high-quality MP3, the album includes cover art featuring Réograms such as The Blues Rising in Peace (2024) and Wave Dreaming It Is a Shell (2012), featured in the award-winning book Art, Peace, and Transcendence. The album’s philosophy aligns with the Paul Bartlett Ré Peace Prize, founded in 2006 to promote peace through the arts, science and diverse disciplines. Listen to the album and see the cover art at: https://www.youtube.com/playlist?list=OLAK5uy_lcvBP042VZsn1AgqUlZ6ZVS0penxvKzNY.
During his 1984 residency, Paul did a recital of these works at the Wurlitzer Foundation.
Kathleen Edwards
visual arts
July 2, 2025

Award for My Book of the Dead

I’m excited to announce a National Indie Excellence Award (NIEA) for best Comics/Graphic Novel for “My Book of the Dead: a memoir”!
You can get it at Bookbaby or Amazon. Or order from your local bookstore!
If you know of anyone who might be interested, please forward this info. And if you're inspired to post a review, it will be much appreciated!
Best,
Kathleen
Gustavo Alonso López
music composition
July 2, 2025

Award Announcement: Ucross Artist Residency

Last week I was accepted into the artist residency program at the Ucross Foundation for Fall of 2025. This retreat-style residency is located near the town of Sheridan, Wyoming, in a beautiful mountainous setting. I’d like to send a sincere thank you to Ucross for supporting the continued development of my creative practice. I’d also like to thank the Helene Wurlitzer Foundation for the support they’ve given and for helping me build the momentum needed to secure this new fellowship.

John Repp
poet
June 20, 2025

Publication of "As if This Light"

I’m eager to announce the publication of As If This Light, a free-for-viewing-and/or-download Buttonhook Press chapbook of “experimental discourse.” If the items collected here bring you even one percent of the fun I had making them, As If This Light will have done its work.

Meet Helene, a Taos Icon

Helene Wurlitzer has remained an enigma to many for over half a century, due in great part to the fact that she chose to remain anonymous, and that her many philanthropic works, which contributed to the betterment of humanity, be kept private.

In fact, many would agree that Helene’s vision and legacy have done more than any other force to infuse the arts into the Taos community, playing a profound role in preserving Taos as both an international destination for artists and a renowned arts community.

So who was Helene Wurlitzer, and how did she end up in Taos, New Mexico? When did she establish the Helene Wurlitzer Foundation of New Mexico, and for what purpose? Who has benefited from her Foundation, and who continues to benefit?

We will answer these questions, and break the enigma surrounding the HWF, as we invite you to Meet Helene.


Historical Women of Taos

Helene was selected as one of four historical women of Taos, chosen by the community of Taos and the Taos Pueblo, to celebrate Taos women and to represent the diversity of our community. In 2023, renowned muralist Jenny Ustick, in collaboration with UNM-Taos and Taos Arts Council, completed a mural on the south wall of Rio Grande Hall on Civic Plaza Drive. Learn More

Mural Featuring Helene Wurlitzer
By Jenny Ustick

Artist Residency Program

The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

 

Touching Artist Lives

For 72 years the HWF has committed to perpetuating Helene's legacy of supporting artists by providing charitable assistance to thousands of artists from all over the world. When artists come to Taos to create in one of our adobe casitas they bring creativity and artistic influence, perpetuating Taos' rich history as an art community. After their residency, they take a little piece of Taos back to where they're from.

Past grantees have included painter Agnes Martin, Pulitzer Prize winning writer N. Scott Momaday, award-winning composer Andrea Clearfield, painter and independent filmmaker Cynthia Madansky, amongst many others.

Agnes Martin
Painter, 1954
Kai-sa
Painter, 1955
N. Scott Momaday
Writer, 1987
William Malpede
Composer, 2015
Cynthia Madansky
Visual Arts, 2017
Agnes Martin
painter
I feel very much honored in being chosen to receive assistance from the Wurlitzer Foundation. Till now I had never sought nor received any real recognition for my work. I did not realize how encouraging it could be. Your kindness has been a positive moral uplift. Your action in this has become the most encouraging event for art in this country that I have ever witnessed. I hope to do worthily. Thank you for all your considerations. [1956]
Allie ('Blue')
Armstrong
songwriter
My time at the Wurlitzer Foundation was paramount to the recording of my first album. Here I was able to unplug, rest, meditate, and find the energy that manifested into the completion of 5 compositions. The residency had an incredible warmth thanks to Nic Knight and his family, and to the beautiful residents whom I shared a term with. I'm so grateful to the Foundation for allowing me the space and time to create....
Michio
Takayama
painter
Since we came to Taos in April of this year, we have been spending our most happy time in accumulating ideas for our work. During our stay in Taos I would like to make a new phase of my career. Now I am learning everything from the beautiful "Nature" in Taos. This beauty of Taos is probably impossible to capture in a short time... I have been overwhelmed with the beauty and majesty of New Mexico.
Eileen
Tabios
writer
I am appreciative of and grateful for my time at The Helene Wurlitzer Foundation.
Robert
Kostka
painter
[1975] The Foundation continues to be an important aspect of my work... I always seem to develop new ideas, new themes and approaches while I'm here. Perhaps just as important, I discard the old ones as well. I am grateful to the Foundation for all it has contributed to my personal growth.
Jean
Fineberg
contemporary
My time in Taos at the Helene Wurlitzer Foundation was magical. The mountains, the people, and the air itself were infused with the engaging history of Taos, which I felt that wherever I went. I loved our resident planned Friday night hangouts. I value the discussions of our artistic practices, especially those in other disciplines. I think we all felt closer to each other and to all our art forms. Nic Knight wa...
Maria
Anderson
writer
My stay at the Helene Wurlitzer Foundation was incredible. The time and space given to us there was a great gift. Three months really gives you the time to delve deeply into projects, and I was able to begin a novel I've been thinking about for some time. I also revised short stories for my collection. Back at home in Bozeman, Montana, I'm still daydreaming of my desk in my casita, of long runs on the trails near ...
Lourdes
Bernard
painter
This residency had a profound impact on me and my work. The Wurlitzer Foundation's mission is a gift of time to artists and I will always be grateful for the space and support this fellowship generously offers. The setting is historic and the landscape is breathtaking. I was there during the winter and it helped me to fall in love with winter....the stillness and quiet coaxed new ways of making work and re-ignite...
Paul
painter
My residencies at the Wurlitzer were both memorable at the time and significant for the future. Three of my works completed then were included in my highly acclaimed 1992 book "The Dance of the Pencil." (See https://www.paulre.org/) I also composed for guitar and did a recital at the Wurlitzer. Those pieces became an album "Paul Ré - Compositions for Classical Guitar" which in 2025 was digitally remastered and i...
Frank
Avella
playwright
In many respects, my residency at the Helene Wurlitzer Foundation saved my life. This is not hyperbole. I wasn't even certain I would be able to accept the residency. My mamma had fallen very ill. She died a few days before I was scheduled to leave. I was beyond devastated. The day after the memorial, my husband packed me up into my Jeep and insisted I take the trek to Taos. And what a trek. I drove into TWO typho...
Robert (Bob)
Ray
painter
Painting must communicate!
Eleanor
Guilliatt
painter
I brought away from Taos a new and delicious sense of abject dedication which is largely due to John Anton and Mrs. Wurlitzer; and it is for this new dimension of understanding that I am writing to thank you. I brought chaos to Taos and took directed wildness away. This is what I needed, and it is what the Foundation environment and Taos gave me.
Susan
Smereka
visual arts
Time, space, place and people - this convergence at HWF was life-altering. The freedom I experienced allowed my work to change in ways I didn't anticipate. Connections to other artists - now friends, has been an added bonus.
N. Scott
Momaday
writer
This is to greet you warmly and to thank you sincerely for your generous assistance. I do indeed very much appreciate the accommodations you made available to me. Not only were they comfortable; they were exactly appropriate to my purpose, and I got a lot of work done. To tell you the truth, I miss the rituals of getting out of my Taos bed and opening the curtains on that splendid view of snow falling in the tre...
Shirley
Tipping
visual arts
My time at the HWF allowed me to re-focus and re-channel my energies into my photographic and writing practices. Amidst the magic and beauty of New Mexico, surrounded by fellow artists, given the gift of time, and away from domestic distractions, I left feeling re-balanced.
Kathleen
Edwards
visual arts
My time at the foundation has been an enormous and deeply appreciated gift. Quiet, undistracted focus in the studio allowed my work to grow like a pot-bound tree placed into the ground.
Zoe
Kerr
screenwriter
My time in Taos was simultaneously the most restorative and productive time of my life thus far. I learned so much about myself and my practice during my three months on-campus, and I feel forever grateful to have been invited to be a 'Wurlie.' Thank you!
Matthew
Rigney
writer
The three months I spent at the Wurlitzer Foundation were essential to my development as a writer. The residency gave me abundant time and a space in which to work, and as any artist knows, these are precious beyond value. I also connected with a community of other artists and made an important friendship that still endures. The residency showed me what the life-as-writer feels like absent all the complicating fac...
Millee
Tibbs
photographer
My time at the Wurlitzer Foundation has been one of my most productive residencies and rewarding artistic experiences. Northern New Mexico is an absolutely enchanting place that I hope to return to again and again.
Paula Schmidt
West
writer
I will be grateful all my life for the gift of time provided to me by the Helene Wurlitzer Foundation, and for the profound kindness of Nic Knight and my fellow artists in residence. This is a special place to grow.
Jane
Isakson
painter
From September through December 2018 I had the pleasure to participate in the Helene Wurlitzer Artist Residency. This was an amazing opportunity to think and experiment and find clarity of focus as I embark upon creating a new body of work. The landscape and community and fellow artist residents made for a supportive and simulating environment. I can only describe my time there as magical.
John
Anton
writer
For me, spending another summer in Taos in Mrs. Wurlitzer's company meant the reaffirmation in my faith in culture.
Gonzalo
Rodrí­guez Gómez
painter
I will always be grateful to the Helene Wurlitzer Foundation. Thanks to this opportunity I was fortunate to work in a dream studio for two and a half months, as well as enjoy the culture of Taos and the company of excellent people and incredible artists.
Anne
Sanow
writer
Arriving in Taos during the quiet stillness of winter set the tone for a contemplative, productive writing season for me. The Wurlitzer Foundation provided a lovely place to make progress on a long-term project and to become acquainted with the town, the mountains, and the history all around me. It's true that there is something magical in this place.
Melisa
Tien
playwright
More and more, I believe that people are the defining feature of experience—more so than place, infrastructure, or resources; perhaps in an abstract and deeper sense, people *are* the place, infrastructure, and resources. This has certainly borne out in my time with the artists here at Wurlitzer, some of whom I imagine I'll break bread with for many years to come. The beauty of the artistic cohort became evident...
Lucy
Bledsoe
writer
An amazing residency. Wonderful.
Samyak
Shertok
poet
I think of my time at the Helene Wurlitzer Foundation as a dream: enchantment, haunting, and reverie all in one. Driving alone through the Rio Grande National Forest in the dark, I had an uncanny encounter with an elk family, in which the papa or mama elk stared at me until all the baby elks were safely on the other side of the road. That set the tone of wondering and wandering for my entire residency. Besides the...
Hee Sook
Kim
visual arts
The residency in the Wurlitzer Foundation has transformed my artistic path every time I was in. The time was just inspiring and atmosphere was magical. I always enthusiastically recommend the residency to my fellow artists. The surrounding with Taos mountain is surreal.
Susan
Lloyd
writer
Thank you for providing a space of tranquility and inspiration during my various sojourns there. It has always been a relief to arrive at one of the Wurlitzer casitas where I know I can concentrate on my writing and photography free of distractions--so rare and so necessary if one is to get serious about one's work.
Loraine
Veeck
painter
With the beautiful surroundings of Taos New Mexico as inspiration, I found my stay as a resident in Casita #1 very productive. Nic Knight and the staff at Wurlitzer were very supportive of my needs, and my residency will stand out as a wonderful memory in the years to come.
Nathan
Kelly
classical
Wurlitzer in the winter was a magical place. Its quiet solitude gives an artist the space and inspiration needed to create, reflect, and dream. I can't wait to return.
Devreaux
Baker
poet
I feel fortunate to be in residence at the Wurlitzer for many reasons. Not only does it afford me the time to work undisturbed but it also allows me the space in which to be continually inspired by the work of a diverse range of artists, musicians and writers who make up the town of Taos. What greater gift for an artist than to have the solitude to create in a landscape that continually inspires.
Alexander
Lumans
writer
My time at the Wurlitzer Foundation proved to be absolutely necessary to my development as a writer. The residency guided me toward transformations in my current project as well as in my perspective on the creative process. I will be living on the fumes of my singular experience in Taos for a long time to come.”
Joanna
Klink
poet
My days and hours at the Helene Wurlitzer Foundation carried a strange deep quiet...time seemed to flow differently there, and the trees and fields surrounding the casitas were often shimmering. I felt so at peace. It's hard to believe that any place could be this welcoming and respectful of the inner lives of artists.
Carolyn
Gage
playwright
This residency gave me time... three months of time. I was not only able to move forward with new work, but I also had the luxury to finish up those dozens of projects that had been "hanging fire" for years. Invaluable!
Jessamine
Chan
writer
My three months at the Helene Wurlitzer Foundation were the happiest, most fulfilling, and most productive of my life. I’ve been home for seven months now, and every single day I think, with great longing, about Taos, my casita, my desk, the view from my window, the mountains, and the walk through town. I miss the sense of time expanding and I miss the light. You’ll see the most beautiful sunsets in Taos, and ...
Raegan
Payne
playwright
The time I spent at the Helene Wurlitzer Foundation was full of healing and progress. Taos is an easy place to fall in love with, and I left Taos with not only a place in which I can forever seek sanctuary, but also a group of lifelong friends. The residency is an invaluable experience and a gift to artists around the world.
C. Robert
Jones
playwright
My three months in Taos at the Foundation were an incredible experience--giving me time to focus entirely on writing I LIKE IT HERE! which was published shortly thereafter. Casita # 8 was charming, a lovely little home. I'm especially grateful for the TLC of Michael and Tonie Knight who were sensational to all of us during our stay.
John
Balaban
poet
My Wurlitzer stay was tonic. I wrote a novel and a book of poetry while there, during one long winter and, again, during another fall. Strangely enough, despite the isolation and its freedom to concentrate, I made more lifelong friends in the town of Taos than anywhere else I've lived. And the dramatic land and people around Taos were life-affecting.
Charles
Hamm
classical
In addition to the work I managed to get done this summer and the ideas I was exposed to, I feel enormously refreshed. I feel optimistic about the coming year and capable of getting even more done.
Ayden
Graham
songwriter
My time at the HWF was nothing short of transformational. It was utter madness inside my head, wrapped within the peaceful eye of the storm, my cozy casita #3. I wrangled with my demons, flirted with the muse, tickled the ivories, cooked delicious meals, and stayed up way too late practicing violin arpeggios. During my time I finessed my looper pedal board, recorded demos, catalogued unfinished songs, finished...
Lane
Abernathy
contemporary
My time at the Wurlitzer foundation was not only personally and artistically transformational, but the most creative period of my career. It's simply impossible to put into words the experience of living on the campus, surrounded by the sublime beauty of Taos and northern New Mexico. Following the footsteps of some of the world's greatest artists to Taos, with the support and generosity of everyone at the Wurlitze...
Ling-lin
Ku
sculptor
The moment I arrived in Taos I knew I was in love with this place. My time at HWF was like a sweet dream full of tree leaves, magic light, and crispy air. It was my honor to have this time and solitude to focus on my work and myself. I came back home refreshed with new inspirations and friendships.
Harrison
Candelaria Fletcher
writer
The Helene Wurlitzer Foundation residency was truly a gift. My time in Casita 8 was among the most rejuvenating and productive of my career. I completed two book-length lyric essay and prose poem manuscripts several years in the making and opened pathways to a third. The freedom to create at my own pace among alfalfa fields, cottonwoods, magpies and big-hearted Taoseños allowed me to relax into my writing and re...
Arnito
Fillion
music composition
This residency time at HWF was such a great experience. The campus provides such a perfect surrounding for creating in peace, with a very positive philosophy and deep concern about each artist well-being. Certainly one of the most productive time of my life !
Steven
Schneider
poet
My residency at the Helene Wurlitzer Foundation was truly transformative and inspirational. I was able to use my time in Casita Number 3 to finish the manuscript for my book The Magic of Mariachi. The executive director at that time, Michael Knight, was extremely helpful and supportive. Moreover, I came to know and love Taos, which has a very special place in my heart. Saludos and Kudos to the Wurlitzer Foundation!
Barbara
Claus
visual arts
When I was invited to attend the Helene Wurlitzer Foundation residency, in 2008, it was a crucial period in my artistic path. I so needed time to reconnect with studio practice and it gave me a great opportunity to trust myself, experiment different things and find new confidence in my work. I also enjoyed very much the casita, the natural environment, cycling, going to the farmer’s market, visiting museums, art...
Robin
Cole
visual arts
My time with the Wurlitzer Foundation was transformative in so many ways. There, during my uninterrupted working hours, I developed a new mixed media drawing technique that I still use and teach, and continued to explore oil painting--relatively new to me at that time, but now my primary medium. The peace and beauty of the landscape and the amazing intellectual and personal company of the other residents were a so...
Michael
Pearson
writer
Taos is a place filled with magic, and the Wurlitzer Foundation makes that magic real for artists of all kinds. From the first moment I entered the town, saw the fiery sky and the holy mountains, felt the history and the cultures, I knew I was home.
Andrea
Fuhrman
painter
The stars. The quiet. The black widow spiders by the window outside. The large tables, paint and collage material, while I listen to the Native American radio station. The newspaper that lists arts events, exhibitions, openings. The sky and enormous billowing clouds. The altitude, drinking water, and more water. The 50 year old adobe dust, and my sneezes! The great natural bread at the grocery store. Friendly inte...
Rita
Ciresi
writer
It was a great privilege to spend two months in Taos as a fellow at the Wurlitzer Foundation. I finished a novel and generated the first draft of another while in residence. I am so grateful to the Foundation!
(Laurie) Franciszka
Voeltz
poet
When director Michael Knight told my fellow residents and I that our time at the Helene Wurlitzer Foundation was to be used in whatever way best serves work and our selves (whether that meant sleeping for three months or writing every day for ten hours a day or anywhere in between), I took it to heart. It was precisely that kind of non-pressure, generous support and trust that allowed me to push through some major...
Colleen Morton
Busch
writer
My stay in HWF was a long time ago, just after I’d returned from living in Beijing. I needed a place to lay down the foundations of a manuscript about my experience in China. HWF gave me the gift of time and space, and the bonus of being surrounded by beauty and artistic fellowship. I set that manuscript aside to work on other projects, but recently, I rescued it from a drawer and knew exactly what I needed to d...
Eliza
Edens
songwriter
Staying at HWF this summer was incredibly enriching for my creativity and spirit. Nic provided a welcoming and easy-going atmosphere for our residency cohort to absorb the most of what Taos and HWF has to offer -- which is mostly open space and time to get in touch with the creative force. It was a gift to be here! I will miss my fellow residents and the magical town of Taos.
Kathleen
Kelly
poet
Serenity. Productivity. Generosity... Apt descriptors of the three months I lived and wrote as a poet-resident at Casita #10S. Pink-kissed mornings inspired aubades, the magpies’ constant chatter influenced the aural sensibility of my new work, and the ever-pervasive pinyon distilled an acute sense of olfactory responsibility in my verse... This time—seemingly enchanted and surreal yet nonetheless real--create...
Nell Shaw
Cohen
classical
During my residency at the Helene Wurlitzer Foundation, I came into a different pace of living and of creativity. Arriving from bustling New York City, I discovered Taos's unmistakeable ease. This place encouraged a spaciousness and clarity of thought in my composing process. Sitting on the porch of my cozy casita, enjoying the scent of petrichor and cottonwoods after one of Taos's summer afternoon rainstorms, I s...
Ellen
Koment
painter
Now a working artist in Santa Fe for over twenty years, I thank Wurlitzer Foundation for introducing me to this most beautiful part of the world. My association with the foundation as well as the other artists has been life changing. I have been working primarily in Encaustic for the last twenty five years, and throughout this time the magnificent New Mexico landscape, as well as the Santa Fe art world have been i...
Lorna
Ritz
painter
I had to get special permission from the Pueblo Chief; turns out he was watching me from day one, awed that I could stay so still for all those hours each day standing at my easel. I ended up giving him a drawing of Taos Mountain which is his religion, which then became mine the more I drew it. I had been pulling my easel and drawing board all throughout the landscape searching for composition, (on a bright hot p...
Laura
Bennett
photographer
My time at the Helene Wurlitzer residency enabled me to work in a wonderful environment. The casita provided such a lovely warmth, and I experienced the first snow as well. There were times I felt complete, at peace and totally focused on my work. I created handmade books, cyanotype prints and shot 15 rolls of color film and 12 rolls of black and white. I brought my 8x10 camera and my medium format Hasselblad, a...
Rob
Scheps
classical
The Wurlitzer Foundation is a hidden gem. The program is fantastic; Taos is amazing, and I composed a lot of good music there that I still perform. Michael Knight was a great residency director, and I learned a lot about New Mexico being there.
Meredith
Wilder
songwriter
The summer of 2017 was an invaluable experience, to be surrounded by the beauty of the desert and the energy of the other artists in residence. Once I set up my recording gear and sat down at the grand piano with the sole purpose of writing new music, creativity started filling every corner of the casita. There is something magical about Taos and Helene Wurlitzer's legacy and I would recommend this to every artist...
Ferdinand
Rosa
painter
A truly inspirational moment in my life! Thank you Helene Wurlitzer for your ongoing gift to the Arts in America.
Matt
Bennett
playwright
The Wurlitzer is honestly committed to curating a place for deep work, for cross-pollination among disciplines, and for "refilling the well." (Amid natural beauty that's as humbling as it is stunning!) During my session, I never felt beholden but always free to write and explore. Because there's no agenda, I could share for the sake of sharing. It's changed the way I work, because having a break from constant cont...
Tim
Houghton
poet
Wurlitzer is awesome. It's the only place where I want to work.
Rafaël
Leloup
filmscoring
HWF is an amazing oasis where time stops and allows one to focus solely on their work for a few months. With so little distractions, such an amazing environment, gorgeous views, and clear air, I was able to finish many personal projects that were always set aside when in my regular workplace. I wish a similar experience to all future residents. Thanks to everyone at the Foundation!
Annie
Tull
visual arts
My time at HWF in Taos was nothing short of magical. The community, the environment, and the natural wonder just outside my doorstep gave me everything I needed to take the next step in elevating my practice. The fellows I shared this time with have become friends for life, and Taos now holds a very special place in my heart. 💕✨
Cheryl
Durden
writer
I enjoyed a 5-month writing residency at The Helene Wurlitzer Foundation in Taos, New Mexico - 1/97 through 6/97. This was, I believe, the first winter that the foundation's homes were open to residents. I didn't understand it at the time, but my stay at HWF was the perfect transition stop; it became the crossroads of my life and key to making the decision to leave the corporate world and connect more fully with ...
Mary
Gilliland
poet
Amazing inspiration in the high desert! Terrific library & location and fellow artists. I’m not always able to take 3 months away, but if there’s a sudden cancellation or need to fill out the rest of a residency…just holler!
Theo
Chandler
contemporary
My stay at the Helene Wurlitzer Foundation was immensely transformative. With the time to write and reflect, I was able to come away from the residency with clearer goals for myself as an artist, as well as a more secure sense of my compositional abilities. I have not seen another program that offers such extended residencies - 2.5 months - and this amount of time was critical for my growth, allowing me to get tot...
Earl
Stroh
painter
I feel deeply grateful for all that the Foundation has done for me over the years and am very sure that my development as an artist would no be nearly so advanced if it had not been for the many opportunities and great aid offered my by your help. [from a letter dated September 3rd, 1962]
Dorothy
Englander
painter
What a magical and life-altering experience I had, from mid April-mid July 2008. My work is still influenced by those days. Fellowship with so many creative people has led to life-long friendships. Sending the foundation my deepest appreciation, Dorothy Englander
Jean
Francis
visual arts
In 2013 I was awarded a 3 month fellowship at the Helene Wurlitzer Foundation in Taos. This was a profound experience for me as an artist. Time to spend away from my life in Canada, pursue and concentrate on the work, experience another environment and it just allowed time. The wonderful support and kindness from Michael Knight is a memory that stays with me. I am grateful for the time.
Veronique
Maria
filmmaker
From the moment I first heard about the Helene Wurlitzer Residency in Taos and made my application I found myself engaged in an extraordinary and unexpected life changing experience. It has had deep and profound effect on me, my attitude to life and my art practice. I decided to use the three month period to explore 'who am I as a creative woman, when I don't have a project, genre, or any other structure to guid...
Karen
Kevorkian
poet
I love the solitude of the casitas. I came to love the town and the state and found much to think about. I return to Taos as often as I can.
Fiona
Sze-Lorrain
writer
I think of my time in Taos with such gratitude, fondness, and joy: the quiet and mountains and friendships . . . I am much grateful to the Helene Wurlitzer Foundation for bringing this special place and its kind soul(s) into my life. Merci beaucoup.
Jeremy
Sorese
painter
I have nothing but the best things to say about my three months at the Helene Wurlitzer Foundation and to those who may be interested in applying, I cannot recommend the experience enough. Being able to fully step out of my life for three months to focus on oil painting has been a gift in the truest sense of the word. Although my days there were fairly quiet and largely spent in my studio, it feels like so much ha...
Leon
Syfrit
photographer
The moment I arrived, I knew my time here would live within me far beyond my physical departure.
Howard
Sherman
visual arts
Wonderful gift of space and time to focus on my work.
Susan
Richards
painter
A wonderful experience in all categories. New friends, beautiful adventures and the start on a new path in my work.
Mildred
Tolbert
photographer
[2-16-1973] This period here at the foundation is a unique experience for me - that is, it is the first time in my adult life that I have not felt responsible for myself and/or others, and the fact that I received this grant has had great psychological impetus for me.
Lauren
Mantecon
visual arts
My time in residency was productive in a non-traditional way. The atmosphere, support and space became a refuge after an extremely turbulent time in my life. The Helene Wurlitzer Foundation became my entrance to New Mexico which has since become my home; as seeds planted for the next chapter to my art making career. I was able to not only reflect but make work in what I considered a sanctuary of " place".
David
Groff
poet
PHOTOBOMB POEM, TAOS The sky on the butt side of sunset is a veiny blue, the clouds vapor-trailish but not jet-made, probably, below a mountain that looks like a mountain. I don’t know its first name or its tales. Its greens go gray with drought & dusk but still it’s strewn with glare, hard to look at, a lung-busting climb. Trees like brandy snifters dot the plain: vases in a cemetery with flat plaques. Di...
David
Cote
playwright
The three months I spent at the Helene Wurlitzer Foundation in fall 2022 was a period of gentle introspection and steady, satisfying work. I won’t lie; past residencies lasted only three or four weeks, and the extended period offered by Wurlitzer was both exciting and intimidating. I had been to New Mexico about fifteen years earlier as a tourist, and now felt challenged to melt into the place, at least temporar...
Virginia
Barrett
poet
I feel very blessed to have twice been a Wurlitzer Foundation Fellow (1997, 2017). My first stay imprinted Taos, and the surrounding landscape, indelibly on my creative psyche. When I returned twenty years later, the feeling only deepened, and has led me into a series of poems focused on the area. I now intend to spend a good deal of my time here; Taos continues to inspire.
Lucy
Ray
painter
The Wurlitzer Foundation residency transformed my studio practice and filled me with newfound confidence as an artist. The warmth and support I felt from the Taos community and the foundation made me feel truly at home. The program offers a rare chance to dive deep into your creative process and stretch your work in exciting directions. My days in the cozy casita and the camaraderie with fellow residents left me e...
Jack
Ortiz
writer
At the HWF I felt a strong creative energy, on the grounds and in my lovely casita. There I was able to start from scratch a novel, the first long project I truly believe in. Shoutout to the staff who were so warm and welcoming.
Lex
Williford
writer
If it had not been for Wurlitzer, I may not have written all the flash fiction in my award-winning chapbook, Superman on the Roof, part of a novel in flash fiction, short fiction and novellas, which I'll be working on during my stay at Wurlitzer Summer of 2021. I’m grateful for the time and solitude Wurlitzer has allowed me to continue my work.
Tom
Cho
writer
Definitely among the top artist residencies that I have done. The setting is near-perfect: a town that is rich in arts and culture, with access to much natural beauty. Each artist lives in their own casita and has twelve weeks of uninterrupted time to devote to their process. Delving into the foundation's long and fruitful history of nurturing artists made me all the more humbled to be part of this residency progr...
Natacha
Sels
writer
These three months of legitimate leave were grandiose. I finally tasted the state of serendipity, this opening that allows to discover what we do not seek! The first residency allowed me to reconnect with my child's soul and to understand that the game is a royal road to creativity and trust. And during the second, I was able to work with concentration on a novel that will soon be published here in France.
Jeffrey
Salloway
writer
What a privilege to join an elite group of artists, immersed in expression, sharing in fellowship!
Dienke
Nauta
visual arts
The work period at the Wurlitzer has had a huge impact on me and my work. It gave me back my work flow and it has brought me a more playful and organic approach. I can't live without creating. The fact that I was able to create without the pressure of an upcoming show or having to work my night job, gave me such a breather. Art is Spirit. I saw that in one of Helene Wurlitzer's rooms of the main house, where the D...
Leah
Grams Johnson
songwriter
That summer in New Mexico, I grieved the distance between who I was, and I thought I’d be, at that point in my life. It was the most powerful and transformative three months I’ve ever experienced— guiding me back to the raw wilderness of my own intuition, as an artist and as a woman.
Robert C
Ellis
painter
My Wurlitzer Foundation grant has given me the time and freedom to study myself and my painting. It has given me time for concentrated creativity, time to select the best from my experiences both past and present.
Louise
Minks
painter
I really became embedded in the Taos area while I was at the Wurlitzer and especially so because my project was about the Pueblo Revolt of 1680. I relished my days of exploring the region,hours of research in the public library and becoming comfortable with a town full of cultural material so different from my Midwestern and New England experience. I became so attached to New Mexico that I determined to "find a ...
Kathleen
Heideman
poet
Remembering my terrific residency with the Wurlitzer Foundation, luminous sunset memories of Taos flood the mind — the arms-flung-wide light over Taos. I recall peace and clarity of thought, the sense that each studio-casita was a small hive in which wild-buzzing creative ideas were distilled into honey. Best of all, I arrived with storage boxes of handwritten drafts and left with manuscripts and clarity! It was...
Peggy
Diggs
visual arts
Of the residencies I've had, the Wurlitzer was ideally designed. To have my own house, my own studio, and a group of equally independent colleagues made for a situation where I could work intensively in isolation, do things with others when the mood hit, and focus focus focus. Those choices were so important to me. The good length of time, 3 months, also enabled that period of settling in to happen and then a soli...
Leandro
Vesco
writer
One of the best moments of my life, I spent in the Casitas of the Foundation, writing, and then walking and talking with so many friends! Greetings to everyone from Buenos Aires, especially Michael Knight, whom I always remember.
Rachel
Kaufman
poet
The Helene Wurlitzer residency was a time of blissful quiet, of solitude and meaningful companionship, of meadow writing and casita stories. I'm so grateful for this gift of stillness, enough stillness to finish a poetry manuscript and begin a new one. Thank you to Nic, Michael, Marcos, & Mitch for their care.
Gustavo Alonso
López
music composition
My summer at the Wurlitzer Foundation was everything I hoped for. It was a calm, serene experience and I made major progress on compositions for my next record. I also met many interesting and inspiring people. I’ve long been fascinated by New Mexico and Taos completely lived up to its cultural and artistic reputation. I settled in quickly and am eager to return as soon as possible. My sincere gratitude to Nic K...
Andrew
Porter
writer
I absolutely loved my time at The Wurlitzer Foundation. I can't think of a more inspiring or supportive environment in the country.
Aaron
Brown
painter
I would highly recommend the Wurlitzer Foundation residency to any artist. Helene Wurlitzer knew exactly what she was doing when she structured the program to provide maximum creative freedom, with minimal expectation. The time spent at my casita and with my fellow residents was pleasant, positive and productive. I'm very grateful for the experience.
Yulia
Pinkusevich
painter
The Wurlitzer was an important residency and moment in my life who's impact has lasted for over a decade.
Larry
Calcagno
painter
...There were lots of people at the opening and both shows look good! - But I'm exhausted and am looking forward to just painting and some peace and quiet again. I shall busy myself preparing for an April show... I am grateful for the opportunities in my work that the Foundation has made possible. [from 1973 letter to H.A.S.]
Nicole
Schmölzer
painter
I keep thinking about my two Wurlitzer experiences and they are still very much alive. So many years later, the memories are not only still nourishing, but I feel deeply grateful to Helene for having had such a great vision and for still finding the right people who are able to continue her legacy in such a unique and understanding dedication to her will and to the creative people. A real gift.
Susan
Zimmerman
visual arts
“Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little. The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.” Agnes De Mille, dancer Coming to Taos was the first of many leaps in the dark during my residency as I wandered down many a different road exploring my art. The beautiful light of Taos that ...
Kenneth
Fuchs
classical
I had the most extraordinary experience as a fellow at HWF during the summer of 1988. I fell in love with the Land of Enchantment and have returned to New Mexico many times since. I am pleased to tell you that my fifth Naxos recording with the London Symphony Orchestra won the 2018 GRAMMY Award in the most coveted category, Best Classical Compendium
Liza
St. James
writer
My time at HWF was just for me in a way that no other time in my adult life has been. I could truly get in touch with my curiosities, I could follow my instincts, I could rest. In this way, it was life-changing. I am beyond grateful for this opportunity—for Helene Wurlitzer's generosity and vision, and for all those who have helped to carry it out over the years. This Foundation is a rare gem that I hope will co...
Claudia
Tremblay
painter
My residency at The Helene Wurlitzer Foundation was life changing! Uninterrupted time to create offers space for a magical and underestimated freedom. Thanks to a serene setting and gracious hosting, any artist can zero in on their true mission. I’m infinitely thankful for this opportunity and hope that the following artists have a similar experience.
Lauren
Davies
photographer
The Helene Wurlitzer Foundation provides an amazing residency experience with a combination of quiet artistic solitude mixed with the stimulation of an impressive interdisciplinary cohort of visual artists, writers, musicians and composers. Add in my adobe casita studio surrounded by open fields within historic Taos, New Mexico and this experience provided me with a truly magical and creative summer residency.
Kareem
Tayyar
poet
Simply put, the summer I spent as a Wurlitzer Fellow was one of the very best experiences of my life. Taos is a magical place, and those three months filled me with a happiness I have carried with me ever since.
Vineetha
Mokkil
writer
The residency at the Wurlitzer is a gift I'll always treasure. The magic of Taos continues to influence my life and work. After having spent a very productive three months there, I'm convinced no other place or community on earth cherishes creative spirits with such kindness and generosity.
Andrea
Clearfield
classical
I have no words to express how wonderful and productive and connected this time has been. I was utterly inspired! Thank you for everything! With much gratitude and appreciation.
Tanya Husain
Palit
songwriter
My winter at the Wurlitzer Foundation was deeply transformational. Having time and space for creative reflection and learning about the indigenous history of this area has forever changed me and my perspective as a settler on this land. I am so grateful to the Foundation and to the Pueblo people, their ancestors and descendants.
Judith
Arcana
poet
My first stay was a kind of paradise -- and my second stay was another kind of paradise. Whenever I think of those weeks and months, I am awash in gratitude.
Jean-Marc
Felzenszwalbe
painter
Taos light, talking with Henry Sauerwein will allways stay in my memory as an inspiring moment.
Amy
Boaz
writer
My two summer residencies at HWF allowed me to fly — finally, creatively.
Xandra
Clark
playwright
Since my time in Taos, the Foundation and its environs have remained seared in my mind and are continually a part of my reflections and work process. In fact, "Taos!” has become a way to remind myself to slow down when I get into the chaotic hustle of New York creative life. I have completed the script I was working on when there, and I've stayed in close touch with several fellow residents. The relationships fo...
Caitlin
McGill
writer
My time in Taos was unparalleled--peaceful, productive, restful. Grateful for this community!
Linda
Lightsey Rice
writer
I have been so fortunate to be a resident artist at the Wurlitzer Foundation on several occasions, and these residencies have had a profound impact on my creative life. I completed portions of my second novel here in Taos, and many friendships formed at the Wurlitzer have influenced how I see my own work as well as the role of the artist in general. The near-pastoral setting of the artist casitas, the foundation's...
Ryan
Matthews
writer
I was looking for a period of solitude, to escape the weight of the last two years and thoroughly examine my artistic practice. I needed to focus on the puzzles of the work all day, every day. At the Wurlitzer Foundation, free of responsibilities and distractions, but surrounded by the like minded - I had the space to finally pursue risks in my writing and embrace creative challenges.
Fred
Smith
painter
I was honored and delighted to be awarded the Wurlitzer Residency. Having visited New Mexico over many years, by living and painting in Taos for three months, I was inspired and stimulated by the land, the people, the arts community, and the comradery of my fellow resident artists.
Anjana
Appachana
writer
Being at Wurlitzer was like a long meditation. It allowed me to reach another level of consciousness and to live and work in this space for over three months. From here flowed my writing, and oh, how it flowed.
Alysse
McCanna
poet
My time in Taos was transformative. I made great progress on a book project, but more than that, I had space and time to grieve and heal. My fellow fellows were an inspiration. I hope to return someday!
George Scott
MacLeod
painter
I am grateful to have had the opportunity to attend the Helene Wurlitzer Foundation of New Mexico twice as young artist. The residencies gave me the focused time I needed to develop my skills and shape my ideas. I carry the incredible residency experiences, memories and colleagues with me. It was a life changing experience which I reflect on with great fondness. Thank you HWF and staff for making it all such a def...
Jory
Mickelson
poet
My time at the Wurlitzer foundation was transformational. The residency allowed me the time and space to take an accumulation of my writing and shape it into a manuscript. I am so grateful for my stay and the ability to step away from my regular life and enter deeply into the life of my writing. Meeting and getting to know the other residents was wonderful. Also the opportunity to explore my surroundings--Norther...
Pilar
Hanson
visual arts
My time at the HWF residency was extraordinary and productive. There were periods of total immersion in my work alongside the enjoyable exchanges with the other residents.
Clemonce
Heard
poet
Where I met my soul poet. Enchanting to say the least.
Debra
Kaye
music composition
I am ever-grateful for the opportunity to be at the Helene Wurlitzer Foundation. The respect and confirmation for my work early in my career, helped me honor myself as an artist. The gift of unfettered time in such a beautiful place and the sense of community with the other residents, fed my creativity. The experience continues to inspire my artistic life with a sense of openness to this day.
Mashuq
Deen
playwright
The friends I made at Wurlitzer have lasted longer than from any other residency. And it's true what they say about the mountain, it does call you back.
William
Malpede
filmscoring
My residency at the Helene Wurlitzer Foundation in Taos was one of the most profound and life-changing experiences of my life to date. I would encourage every artist to apply for the Residency. The solitude, and the gift of time to reflect, work, and soul search combined with the special energy of Taos provides a truly unique experience!
Ron
Strickland
writer
I remember my time at Wurlitzer with great fondness. New energy infused my work. Insights from that period continue to enliven my recent writing.
Erik
Jackson
playwright
My time at the Wurlitzer Foundation was absolutely transformational. The location is idyllic, the support is absolute, and inspiration is everywhere. I loved being able to set my own schedule and to socialize as much or as little as I desired. The wonderful casitas are close enough to the town when you need to run errands, stock up on groceries, get coffee or a bite—but they have the feeling of being off the bea...
Shiuan
Chang
contemporary
The stay at the Helene Wurlitzer Foundation was transcendental. Three months of solitude, where I had to face many aspects of fear I could avoid due to the velocity of life. I listen to the fear, and the fear makes me stronger. I'll always be grateful to the foundation.
Andrea
Scrima
writer
I don’t think I can overstate the vital importance of the Helene Wurlitzer Foundation residency program. My three months in Taos have had a profound effect on my writing process; they were miraculous and transformative. As writers, artists, and musicians, the majority of us are struggling to make a living and juggling a number of roles simultaneously, all the stuff of life that competes with the “actual” wor...
Roger
Aplon
writer
It's very subtle, quick and profound. I'm speaking of the magical transformation, both personally and artistically, that takes place when you arrive in Taos and enter your private casita. This phenomenon has been spoken about and written about by artists of all stripes who have had the pleasure and the honor of being invited to The Helene Wurlitzer Foundation\'s unique settlement. The individual experiences range...
Cristina
De Gennaro
visual arts
My time at the Wurlitzer Foundation was truly transformative. I am deeply grateful for being given the opportunity to have lived and worked in such a beautiful place with such creative people.
John
Repp
poet
Living and working for more than two months in Taos transformed my way of writing. I've secured seven other residencies, but none matched the Wurlitzer residency for peace, quiet, soulfulness, and authentic productivity.
Tana
Wojczuk
writer
This experience entirely changed my life. It was my first residency, I was leaving an abusive relationship and finally trying to write full time. I've since been writing and teaching writing and my first book comes out this July! Thank you.
Anna
Badkhen
writer
I am grateful for the quiet thinking time the Helene Wurlitzer Foundation of New Mexico afforded me in spring of 2019. The semi-seclusion and the near-monastic infrastructure provided a marvelous excuse to focus on nothing but word for the almost three months of the residency. It gladdens me to imagine the artists who will create in this space in the future--perhaps at the very same desk overlooking the very same ...
Carol
Luc
painter
My six weeks in Taos at the Helene Wurlitzer Foundation were incredibly transformative. I "worked like a fiend" and enjoyed every moment, learning so much about the foundation, the city, the culture, the landscape and the region. I can close my eyes and feel it all over again. I met wonderful people, ate great food, planned a party. When I went home I had a new body of work. Thank you so much, HWF, for giving me t...
Maggie
Graber
poet
I've been fortunate to come to Taos for two residencies (winter/springs 2015, 2019) and each one was was so affirming and surprising in what it opened up in me and my work. After my second residency, I stayed in northern New Mexico for six more months, because I knew I wasn't going to be ready to leave at the end of the residency. Forever thankful to the Wurlitzer Foundation for believing in my work and providing ...

Supporting Future Artists & Diversity

The HWF Academic Scholarship Program - In addition to residency grants, further enhancing its commitment to the arts, the HWF offers academic scholarships to graduating high school students who wish to enter college as art majors. Each year at least two emerging art students from the Taos community are selected to receive the scholarship.

In 2009 the HWF began collaborating with the Chesley/Bumbalo Foundation to bring such playwrights as Ben Benne, Mashuq Deen, and Rae Binstock to campus to work on LGBTQ theater.

Acequias & Land Preservation

The HWF campus consists of mostly open fields bordered by trees, dotted with eleven artist residency casitas. We are very fortunate to have these natural open spaces, which are still connected to a centuries-old network of acequias that serve to irrigate the Taos valley. Read more & support...

top